AMPONTAN

Japan from the inside out

Posts Tagged ‘Ibaraki’

Collision course

Posted by ampontan on Tuesday, April 24, 2012

THE political and social forces in Japan are now arrayed and moving on a course that makes a noisy electoral collision inevitable. How the forces sort out post-collision isn’t possible to determine, but one thing is certain — the collision will be just one of the major engagements in an ongoing war.

Nagoya Mayor Kawamura Takashi in Tokyo

That much is clear now that we’ve seen the evisceration of the work of Koizumi Jun’ichiro after he steered Japan to the course of reform. The reactionary Politburocrats included the old guard of his own party, the bureaucratic establishment at Kasumigaseki seeking to reclaim sovereignty over policy, and the chancers of the Democratic Party snouting around for any excuse to rise to the level of Politburocrat Nouveau. They accomplished their work in less time than the five years Mr. Koizumi spent in office.

Last week, the Men of System demonstrated again how they operate. The ruling Democratic Party lacks an upper house majority, so it was unable to prevent the opposition from censuring two Cabinet ministers: Maeda Takeshi of Land, Infrastructure, and Transport (for political misbehavior) and Tanaka Naoki of Defense (for being a doofus on the job).

Upper house censures are non-binding, so the two men can technically stay, but the opposition parties are refusing to participate in negotiations until they’re removed. Said LDP head Tanigaki Sadakazu:

“As long as those two stay in office, there will be no progress on the bill to combine social security and the tax system.”

Added New Komeito chief Yamaguchi Natsuo:

“We cannot respond to any parliamentary proceedings in which they have jurisdiction.”

Everyone understands that it’s a chabangeki farce staged to gain political advantage. Mr. Tanigaki and most of his party already back a consumption tax increase, and the ruling Democratic Party intends to use only 20% of the revenue from the increase for social security. A larger amount will be allocated for public works projects. Just like the old LDP.

The DPJ understands the farce better than anyone because upper house censure was a weapon they created to gain political leverage after they and their allies took control of that chamber in 2007. They censured then-Prime Minister Fukuda Yasuo in 2008 for reasons that were trivial then and which no one can remember now.

But when the plastic sword was used to smack them around, Prime Minister Noda and DPJ Secretary-General Koshi’ishi Azuma decided they didn’t like the idea after all. Both men are protecting the censured miscreants, and Mr. Noda won’t remove them from office. Said Chief Cabinet Secretary Fujimura Osamu last Friday:

“The prime minister’s policy is clear. He wants them to fulfill the responsibilities of their job.”

Both men of course realize that’s beyond the capabilities of Mr. Tanaka, but they have appearances to maintain and the Ozawa wing of the party to mollify.

Their display of plastic backbone has caused some consternation in Japan’s real ruling class, however. That spurred one of their agents in the DPJ to give the prime minister his marching orders.

That would be Fujii Hirohisa, the former head the Finance Ministry’s Budget Bureau — Dirigiste Central — also the former secretary-general in Ozawa Ichiro’s old Liberal Party, the first finance minister in the DPJ government (for all of three months), the head of the Tax Commission in the Cabinet Office, one of the DPJ’s Supreme Advisors, and (if the rumors are to be believed) a daytime drinker.

Mr. Fujii and his comrades worry this will delay their objective of raising the consumption tax to European social democrat levels. Therefore, Mr. Fujii called on the prime minister to “remove the thorns”, because:

“The two of them have definitely done something wrong.”

But he quickly added the real reason:

“Whenever the prime minister makes a decision on what to do, the basis for everything is to pass the consumption tax increase by any means necessary.”

Now what is Mr. Noda to decide to do? He wants to project himself as a man of vision with the unwavering resolve to gouge the public and maintain the system do what is best for Japan. He also reportedly hates being called a Finance Ministry puppet.

On the other hand, Mr. Fujii has been molding Mr. Noda since the DPJ formed its first government, when the latter was the deputy finance minister in both the Hatoyama and Kan administrations. The prime minister is also aware that the Finance Ministry is capable of using the various means it has developed for staging de facto internal coups d’etat.

In other words, look for Messrs. Maeda and Tanaka to start cleaning out their desk drawers, soon rather than late.

Weapons

Kasumigaseki in general and the Finance Ministry in particular have developed a substantial armory over the years to maintain their citadel. For example, all the national dailies have now published several editorials supporting a consumption tax increase. Most of them used nearly identical phrases, probably because they all received the nearly identical Finance Ministry briefing. The most enthusiastic member of the print media has been the Asahi Shimbun. They ran an editorial on 31 March titled “A consumption tax increase is necessary,” which included this content:

“With the rapid aging of society, we must provide even a small amount of stability to the social security system and rebuild the finances that are the worst among the developed countries. The first step requires that we increase the consumption tax. That is what we think.”

And the next day:

“It is important to come to a prompt decision without evading a tax increase.”

Another column appeared on 6 April with the title: “Politics and the consumption tax increase – stop the excuses”. It contained this passage:

“While you’re saying “first”—such as first reduce government waste, or first let’s end deflation, or first dissolve the lower house for an election — Japan will become insolvent.”

The Asahi insists the voters can have their say after the tax increase has been safely passed. That’s the same strategy foreseen months ago by ex-ministry official and current reformer Takahashi Yoichi.

As a newspaper of the left, the Asahi might be expected to favor higher taxes and stronger central government, but perhaps they have a more compelling reason. That would be explained by another news report that the Asahi tried to hide in an overlooked part of the paper, but which the rival Yomiuri Shimbun gave more prominent coverage on 30 March.

It seems that a tax audit revealed the Asahi failed to report JPY 251 million in corporate income over a five-year period that ended 31 March 2011. They were required to pay substantial penalties.

Golly, what a coincidence!

On the other hand, the bureaucrats are not picking on just the Asahi. All the newspapers and their reporters are being audited, which is a process that can take from several weeks to several months. The reporters treat their sources, anonymous or otherwise, to food and drink, and we all know that expense accounts are there to be padded. Tax officials are even said to be visiting the eating and drinking places listed on the returns for confirmation. Both the Asahi and the Yomiuri already had to refile their taxes in 2009.

The Asahi insists their editorials are unrelated to the audits, and they might have a point. There are about 20 people on the paper’s editorial committee, and all of them support a tax increase. Most of them once covered the Finance Ministry as members of the ministry’s kisha club, a system that combines short leashes with exclusive access. And many of them are also graduates of the University of Tokyo, which is the institution of choice for the Finance Ministry’s recruitment.

It’s natural to assume that the members of the old boys’ club would think alike, but a tax audit certainly helps to focus their thinking.

Not a rhetorical question

Fortunately, irresistible forces are headed straight for these immovable objects. Nagoya Mayor Kawamura Takashi, one of the squad leaders in those forces, launched his political juku in Tokyo on Saturday. He told his 200 students:

“I want to change the mechanism of this country, in which taxes are not reduced by even one yen.”

Mr. Kawamura is screening and preparing candidates for the next lower house election by using the same juku mechanism employed by Osaka Mayor Hashimoto Toru and Aichi Gov. Omura Hideaki. There will likely be an alliance of some sort between those local parties and Your Party at the national level. Their message is the largely the same.

Delivering that message on Saturday as the first lecturer was former METI official turned bureaucratic reformer Koga Shigeaki. Mr. Koga rebuffed requests to run for governor of two prefectures to serve as Mr. Hashimoto’s senior advisor, and he also has connections with Your Party. He told the juku students something that everyone in Japan apart from the Politburocratchiks understand: The current system of governance is dead, and the creation of a new system starts with civil service reform.

Part of the problem

The experience of Koga Shigeaki illustrates one of the many reasons that Japan’s Democratic Party has become part of the problem instead of the solution. He was selected as an aide to then-Reform Minister Sengoku Yoshito in the Hatoyama Cabinet, but that appointment lasted only a few days. Kasumigaseki wouldn’t stand for it, and Mr. Sengoku is not one to stand on principle when his place in the power structure is at stake. Indeed, the former lawyer confronted Mr. Koga with a semi-gangsterish threat (likely picked up from his former clients) during the latter’s Diet testimony on reform at the request of Your Party.

Try this for a thought experiment: Imagine that the cities of Chicago and Los Angeles, and their respective states of Illinois and California, are governed by local parties calling for radical governmental reform. One of the primary planks of that reform is putting a leash on the public sector. Three of those four chief executives were once members of the two major parties. The deputy mayor of New York is a colleague, and the mayor is a sympathizer.

Need I mention that this would be topics #1, #2, and #3 in the American mass media 24/7, and that the Journolist-coordinated efforts to slime them all would be rank even by their standards?

(Of course, this is only a thought experiment. California is actually heading 180° in the other direction.)

Japan has the oldest and most dynamic of the modern anti-elitist reform movements of the world’s major democracies. It’s the one with the greatest chance of success, and it’s also possible to make the case that it is the most positive in outlook. (The French just gave 18% of the vote to Marine LePen, though in their defense the Eurabia concept was idiotic even by Eurocrat standards.)

Predictions are usually a waste of time, but here’s one you can hold me to: The English-language media in general, and the FCCJ lackwits in particular, won’t bother to notice what’s happening in Japan until they find themselves ankle-deep in the muck after the bloodletting of the next general election, and some well-coiffed and -dyed heads will be adorning the tops of pointed stakes. The media will then be “surprised”.

And then they’ll launch a slimeball fusillade. Take it to the bank.

Kasumigaura

Yes, this is a national phenomenon. It’s happening again, this time in the city of Kasumigaura, a largely agricultural town of 43,600 in Ibaraki Prefecture.

After the city was created in 2005 through the merger of two smaller municipalities, the residents expected to benefit from the economies of scale. They really should have known better. Instead of one unified municipal office, the new city officials created two, one in each of the constituent entities. One of them required the construction of a new building. They also separately maintained their former methods of collusion for deal-cutting: one controlled by the civil service, the other organized by private sector industry.

It got worse after the new city’s second mayor took office in 2007, when he was unopposed in the election. Opposition quickly materialized after the city council voted themselves a 40% pay raise. A citizens’ group was organized, and they ran Miyajima Mitsuaki for mayor in the next election. He upset the incumbent by a 276 vote margin.

The problem, however, was that there was little turnover in city council members. Four are reformers, 11 are in the flybait class, and one is a fence-sitter. In one year and eight months, City Council has rejected 32 of the mayor’s initiatives, including the rollback of the salary increase, other salary cuts, and a bill to provide free medical care for children through the third year of junior high school. (That last is an idea common to many of the reformers in local government. There are several possible explanations for this mixture of welfare statism into what is primarily a small government philosophy, but it does suggest they are not ideologues.)

The mayor therefore announced last week that he and the citizens’ group will start a petition drive to recall City Council. They’ll have a month to come up with 15,000 signatures. It won’t be easy, but Mr. Kawamura overcame the same hurdle in Nagoya, and his hurdle was much higher because of that city’s larger population. I wouldn’t bet against them.

*****
It bears repeating that the next lower house election will not be the last battle of the war, regardless of the result. The reformers at the regional level have found their voice and their allies are not going to go away. Meanwhile, the Politburocrats are stocking the moat with as many alligators as they can breed.

The current system of governance requires that the bureaucracy oversee the process as the Cabinet formulates a bill and the ruling party examines it before it’s submitted to the Diet. Defying the wishes of Kasumigaseki requires a thorough knowledge of policy and some serious spine, neither of which is a hallmark of the political class anywhere. The civil servants devote a lot of time to anticipating objections to their favored policies and formulating arguments against those objections to feed to the politicians.

One advantage of the reformers is that people such Your Party’s Watanabe Yoshimi and Eda Kenji, Hashimoto advisors Koga, Sakaiya Taiichi, and Hara Eiji, as well as advisor to both Takahashi Yoichi, have extensive knowledge of policy and Politburocrat tactics, and took a clear public stand long ago.

Another man who combines both is Takenaka Heizo, a Cabinet member throughout Koizumi Jun’ichiro’s entire term of office, and the man responsible for producing the Japan Post privatization package. Mr. Takenaka has said that victory will require 10 years of continuous guerilla warfare.

In short: Japan is in the midst of the most civil Civil War a modern democracy has ever seen.

Drunken sailor watch

The Prime Minister’s Office unveiled its new website earlier this month, which they created as a portal site to provide comprehensive information on policy. That’s a fine idea, but the Jiji news agency reported the redesign of the old site required an expenditure of JPY 45.5 million (almost $US 560,000 on the nose).

What? You didn’t hear the detonation on the Internet?

A lot of people thought it could have been done for 10% of that amount, and some said they would have been happy to take the job at that price. They also said they wouldn’t have created a site with text that was unreadable for those using Apple’s Safari browser and without the kanji errors on the page for children.

Prodigy

Piano prodigy Okuda Gen appeared on television again Sunday night. Now ten years old, Gen has been playing piano since the age of four and giving concerts since the age of seven. He’s composed 50 pieces of his own. He likes all sorts of styles and plays classical music well, but is a particular fan of jazz pianist Oscar Peterson. On Sunday, he performed as an equal with an adult drummer and bassist.

The boy is remarkably self-assured for his age, even without his musical ability. It seems unlikely at this point that he’ll acquire the problems that usually attend children such as these when they enter The Jungle of Puberty.

But the most astonishing part of Gen’s story is that he started playing because he thought he would like it. Neither parent is involved with music, and they say he’s never taken a music lesson.

Here he is at age eight. Pull your socks up.

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Nengajo 2012

Posted by ampontan on Sunday, January 1, 2012

CENTURIES OF TRADITION inform the festivities during the New Year holiday in Japan, making it an analog for the Christmas holidays in countries with a Christian orientation. That includes customs, activities, and events at home and in public, both semi-sacred and secular, specific to the season. For example, just as others send Christmas cards, the Japanese send New Year’s cards to family, friends, and business associates called nengajo. If they’re mailed by a certain date, the post office will deliver them smack dab on 1 January.

That’s how I began the New Year’s post for 2011. Beats me if I can think of a way to improve it, so that’s how I’ll begin the Ampontan nengajo for 2012. The first paragraph may be recycled, but the rest isn’t!

*****
Cleanliness really is next to godliness in Japan. One reason is that the concept of kegare, or impurity, is an important part of the Shinto worldview. A manifestation of that on the mundane level is the conduct of spring cleaning at yearend. Then again, spring was traditionally considered to have begun with the New Year, an idea that survives in the nengajo message that offers congratulations on the “new spring”. Shinto shrines are also given a thorough spring cleaning at yearend. That ritual is called susubarai, which translates as an exorcism or purification of the soot.

Here’s a scene from this year’s susubarai of the main hall at the Kashima Shinto shrine in Kashima, Ibaraki. Those bamboo poles are four meters long. Ibaraki is near the three prefectures that were hardest hit by March’s Tohoku earthquake, and the shrine’s torii and beams in the main hall were heavily damaged. Said the chief priest:

The shrine deity is the one who limits earthquake damage, so I think that’s the reason it wasn’t any worse. We want to have the new torii finished by the 2014 spring festival. I pray that next year will be a good one.

He’s not alone in that.

The susubarai at the Oyama shrine in Kanazawa, Ishikawa, is called the sendensai, or the festival for purifying the hall. It is a festival of sorts, as the miko shrine maidens start by performing a traditional dance, which is followed by a rite for purifying the tools used for cleaning. If cleanliness and purity is the point, half measures just won’t do.

Then they got to work and exorcised the soot at the main hall. It was 2º C when the picture was taken. That isn’t the most spring-like of temperatures, which is the main reason I’m not excited by the custom of spring cleaning at home in December. Surely they were wearing something warm underneath. The entire operation was handled by 12 people, and those poles they’re wielding are seven meters long. Take the time to look at this photo of the shrine’s front gate: the architecture is both striking and unusual.

It stands to reason that some shrines will be easier to clean than others. Among the others is the Tosho-gu shrine in Nikko, Tochigi, which has more than 500 kirin (sorry for the Wikipedia) and dragons on the outside. That’s particularly true when the kirin and the dragons are national cultural treasures. The shrine was established in 1617, and the enshrined deity is the spirit of none other than The Shogun himself, Tokugawa Ieyasu. It takes 100 people to do all the work here.

Buddhist temples also get the yearend purification treatment, and the insides of the temples get just as dirty as the outsides. The priests and parishioners of Nishi (west) and Higashi (east) Hongwan-ji, a temple complex in Kyoto, have a unique method for driving out the old year’s dirt using bamboo sticks and large fans. It must work: They’ve got 445 tatami mats in the main hall in the west and 927 in the east to clean, and they’ve been cleaning them on 20 December every year since the 15th century.

It starts when the chief priest gives a signal, and the entire line starts whacking and waving. The more nimble climb a ladder to the transoms and blow it out that way. The ritual is also a way to give thanks for a safe year, and it ends when one of the priests draws the character for long life in the air.

While some shrines have to deal with the cleaning of kirin or dragons on the exterior, some Buddhist temples have challenges of their own, such as cleaning statues of the Buddha. That’s quite a challenge at the Kiko-in Obihiro, Hokkaido, whose 6.8-meter-high statue is the largest wooden Buddha north of Tokyo. To be specific, it is a statue of Amida Nyorai. Those bamboo poles are three meters long. It only takes them about 30 minutes, however, as the work surely becomes lighter when it’s sanctified. It’s also a gesture of thanks for the past year.

The cleaning involved with sending off the old year includes the disposition of more than dirt. The shrines also have to do something with all the ema that people entrusted to them during the year. Ema are small wooden plaques on which people write their prayers and wishes. They’re left at the shrine, where they’re received by the divinity. It’s unacceptable to just dump them in the trash, not only for emotional or spiritual reasons, but also because a shrine can have 45,000 of them, as the Hofu Tenman-gu in Hofu, Yamaguchi, did last year. Many of them bore wishes for success in upcoming entrance exams, and most of them were probably granted. It’s an elegant solution: The shrines combine ritual purification and an environmentally friendly fire lit by candles.

Once they’ve taken care of the old year’s business, it’s time to get to work on the new. Speaking of ema, most shrines put up big ones of their own with the symbol from the Oriental zodiac for that particular year. Happy year of the dragon!

Here’s the Big Ema installed at the Kumano shrine in Wakayama. Big in this case means 2.8 meters high and 3.9 meters wide. The eastern-central part of Japan was lashed by a summer typhoon that caused substantial damage, and the Kumano shrine was not spared. Therefore, the painting on this year’s ema has the image of a rising dragon breaking through the black clouds of disaster. The chief priest painted it himself in four days, and it took six priests to carry it to the grounds and replace the old one in the back with the new one.

Just as some Western families hang wreaths on their homes at Christmas, the Japanese adorn the outside of their homes or offices with kadomatsu (corner pine), which is viewed as a temporary abode for the divinities. The folks at Omi-jingu, a shrine in Otsu, Shiga, are known for their jumbo kadomatsu. This year’s version is just as jumbo at four meters high, and it was arranged to resemble a soaring dragon. It was made by a group of parishioners, who also handled the susubarai. For the past seven years, they’ve used a pine tree on the shrine grounds that they temporarily transplant, roots and all. Said one of the kadomatsu designer/gardeners:

There were all sorts of disasters this year, so we made this with the wish that everyone would have a happy life next year.

Another decoration for home or shrine is the shimenawa, a straw rope that denotes a sacred space in general, and the temporary abode of the toshigami, the divinity of the new year, in particular. Of the 30 hung at the Kogane shrine in Gifu City, the one at the front is a jumbo version eight meters long, 40 centimeters in diameter at the thickest part, and 30 kilograms in weight. It’s made from straw from mochi rice stalks, mochi being an even more glutinous variety of rice than japonica.

The Kogane shrine is known for providing good fortune to those interested in money and wealth. In fact, the kanji used for the name of the shrine is the same as that for money, but with a different reading. Shrine officials expect 130,000 hopeful high rollers to visit in the first three days of the new year.

While we’re on the subject of jumbo decorations, here are two jumbo origami of dragons in red and white, the Japanese national colors, at the Tsurusaki Shinto shrine in Hayashima-cho, Okayama. (Japanese language, but nice photos.) They’re 1.8 meters high and four meters long, and if you can’t make it for New Year’s, don’t fret — they’ll be up until the end of the month, and they’re illuminated until 9:00 p.m. every night. Said the chief priest:

With Japan covered by a dark cloud due to the disasters and other reasons, we hope this year everyone can soar again like the dragons that push their way into the sky.

As evidence that old religions can incorporate new elements, this is only the 11th year for the shrine’s origami displays. They started in 2001 with the year of the horse. To symbolize their support for Tohoku recovery, they procured the paper from a wholesaler in Sendai.

An even newer New Year twist on a traditional Japanese art is a public performance of calligraphy by a priest at the Kumano shrine in Tanabe, Wakayama, on a platform in front of the main hall. The folks at the shrine, which is the same one with the big ema above, started the tradition just two years ago. In keeping with the theme of jumbo-ness, this calligraphy is three meters square and was rendered with a brush one meter long. The character can be read as either kirameki or ko, and it means glittering.

Calligraphy is not done with just a flick of the wrist; it also demands internal stillness. The reports from Wakayama say the priest stared at the cloth for a time for spiritual preparation before he started. The reports also say the priest put his entire body into it, which the audience appreciated. One of those watching was a woman from Nagoya, who said:

There was a dignified and awe-inspiring atmosphere, and I found myself straightening my back without realizing it.

Said the calligrapher/priest:

Conditions were very harsh this year with the Tohoku disaster and the typhoon. I hope that next year, each one of us recovers and shines.

Are you noticing that people use the holiday as a way to cleanse themselves of more than just dirt and old objects?

You’ve also probably noticed that the priests aren’t doing all this work by themselves. Their helpers are the Japanese equivalent of Santa’s elves, the miko shrine maidens. Those are the young women dressed in white hakui and red hibakama. (There are those colors again.)

So many people visit during the three-day period that the shrines have to hire extra miko part-time to help. They’re usually high school and college-aged girls, and dealing with the public in a manner befitting a religious institution requires special training in manners and speech. That training also includes instruction in how to wear the clothing, and how to properly hand over the amulets that people buy on their visits. Here’s a scene from the orientation for the 23 arubaito miko conducted by the Toishi Hachiman-gu in Shunan, Yamaguchi, which will celebrate its 1300th anniversary next year. To give you an idea of why the shrines need to supplement the help, the Toshi Hachiman-gu expects 200,000 people to drop by from 1-3 January.

Bigger shrines require more miko, and the Kitano Tenman-gu in Kyoto needed 70 this year for New Year’s duty. (That one’s in English.) They expect 500,000 visitors in the first three days of the New Year. One reason so many people come is that one of the shrine divinities is the deified spirit of Sugawara Michizane, renowned for his learning and erudition. That attracts all those who want to pray for success on the entrance exams for schools or places of employment.

The first order of business for miko training at Kitano is to say a prayer at the main hall, after which the priest performs a purification ritual. That’s followed by an explanation of the buildings, fixtures, and amulets, and the proper way to interact with the worshippers.

Most of the shrines are somewhat strict about the appearance of the Jinja Girls — dyed hair is usually prohibited. Well, wait a minute, let’s modify that. The women old enough to dye their hair, i.e., post high school, are old enough to know that they can buy a bottle or tube and go back to basic black for a few days before getting stylish again.

While they’re sticklers for appearance, the shrines are downright ecumenical about identity. The job is usually open to young women of any nationality. I read one account of a Korean university student in Nagasaki who enjoyed her experience so much one year, she signed up for a second. I’ve also read about one shrine hiring an Italian woman for the season. In fact, here’s an article from China talking about New Year’s customs and the Chinese girls who also serve as miko. Aren’t those hairbands nifty?

Meanwhile, the Gokoku shrine in Kagoshima City trained 40 new miko to help greet their expected visitors. One 20-year-old said she had wanted to wear the white clothing for a long time and was happy to finally get the chance. She also promised to do her best to ensure that the worshippers will be able meet the new year with a good feeling. About 150,000 people are likely to drop on by, so let’s hope she doesn’t get tired from being that cheerful for that long to the crowds. Then again, it isn’t as if she he’ll have to cope with the “behavior” of American shoppers on the day after Thanksgiving.

Here’s the training for 20 miko at Tottori City’s Ube shrine, which is thought to have been founded in 648, so they’ve been at this for more than 1,300 years. The chief priest told the novitiates he wanted them to be sure to give the parishioners a cheerful smile, which might be more difficult than it sounds. How easy is it to be solemn and smiley at the same time?

This shrine also has a connection with money matters, and is said to be just the place for those praying for success in business. In fact, it was the first Shinto shrine to be depicted on paper money — an engraving of the shrine and the founder appeared on the five-yen note in 1900. It also showed up on five-yen and one-yen notes into the Showa era, which began in 1925. They make only five- or one-yen coins instead of notes now, but in those days, a yen was still a yen.

If the global economy doesn’t improve, I might get on the train to Tottori myself.

Hey now! Some guys like photos of women with large silicone implants hanging out of small bikinis. Me, I go for the miko! It’s my website and I’ll steal the photos I want, and I want one more:

Here they are receiving instructions at the Kamegaike Hachiman-gu in Kanagawa City. This is a popular New Year’s destination because it has all the Shichi Fukujin, the Seven Gods of Fortune of Japanese mythology and folklore. Legend has it that the munificent seven come to town on New Year’s and distribute gifts to good little boys and girls of all ages, just like Santa Claus. Instead of a reindeer-powered sleigh, they show up on the good ship Takarabune, which literally means treasure ship. In another Christmas analog, children are given money in envelopes on New Year’s as a gift, and sometimes these envelopes have a picture of the Takarabune on them.

The Kamegaiki shrine is also a good place to go for those who are desirous of safety in traffic and the luck in the draw in the lottery. Then again, the sacred sake the shrine gives away is another attraction. Clever punsters that they are, some Japanese employ the word for a Shinto shrine to refer to the holy hooch as “jinja ale”, and no, I did not make that up.

The more you think about it, the more appealing Shinto gets.

Speaking of grog, the Takara Shuzo sake brewers of Kyoto conducted a survey to find out everyone’s favorite New Year’s drink, and topping the list was sake. (That’s the same takara as the treasure in the takara above.)

The survey was conducted in the Tokyo and Kinki regions among 400 men and women aged 20 to 60+. When asked to name their New Year’s poison, 57.8% replied sake, 53.6% said beer, and 21.2% said wine. (Multiple (hic) answers were possible.) Sake was the leading choice in all age groups except for the people in their 30s.

It’s not all good news for the brewers — some people said they drink it only on New Year’s Day. The explanation of 56.9% was that it’s a special occasion. Others said they just go along with the choice of their family and friends.

In addition to downing the regular old sake, another special holiday custom is three sips from a cup of o-toso, sake mixed with (originally) medicinal herbs and mirin. The survey found that 88.6% of the respondents knew what it was, and that 50.8% drink it either every year or occasionally on New Year’s. The survey also turned up the fact that 53.5% of the people mistakenly thought it was a specially brewed sake, rather than being a mixture. That group consisted mostly of young people.

It was originally drunk to flush out the illnesses of the old year and promote long life in the future. The characters for toso, by the way, are 屠蘇 (the o is the honorific). The first means “to massacre”, and the second is most commonly used to mean a revival or resurrection. Some Western Christians get carried away by the connection they see, but the standard Japanese explanation is that the second character originally represented “the demon that causes illness”. In other words, o-toso is drunk to slay the demon. It’s more likely the origin of the expression Demon Rum than a derivative of the Easter story. Different season altogether.

Of course there’s a connection between liquor and miko, and not what you’re thinking, either. Here are some shrine maidens out tachibana citrus fruit picking at the Iwashimizu Hachiman-gu in Kyoto. Iwashimizu is so famous for the fruit that it’s used as a symbol on the shrine crest. The trees are planted on the east and west of the main building, and the miko can pick 10 kilograms of the three-centimeter fruit in 30 minutes of farm labor. These fruit are not for eating — they’ll be the main ingredient in tachibana citrus fruit wine instead. Nowadays they subcontract the work to a sake brewery in Joyo, Kyoto, and it will take three years before it’s drinkable. They donate the finished product to the Imperial household. During the Edo period, they also passed some of the stash around to the shoguns.

Speaking of the Imperial household, the members like this place. There’ve been more than 250 household visits to the shrine since 860.

And speaking of all this booze, here’s a report from Asahi TV about making New Year’s sake in Utsunomiya, Tochigi. It was below zero on the morning this segment was filmed:

But back to the miko and New Year’s amulets! They do more than sell them — they make them, too. See what I mean about Santa’s elves?

Here they are at the Atago shrine in Fukuoka City making o-mikuji fortunes for the New Year. They’ll offer 14 kinds, including the red daruma and, for the first time, the medetai mikuji. Medetai is a word for a joyous occasion, but the pun is in the shape of the fish — the tai, or sea bream, which is served at other joyous occasions, such as wedding ceremonies. The Japanese like the fish so much they have an expression that insists they’re great even when they’ve gone bad. The shrine made 800,000 last month for the 700,000 visitors they expect, so they might have a few left over.

They also made lucky arrows at the Tsuruoka Hachiman-gu in Kamakura, Kanagawa, the most important shrine in the city. These arrows are called hamaya, which are sold as amulets that drive away evil spirits. Some also say they provide safety to the home and prosperity to business. The sale of hamaya is derived from the days when the exhibition of archery skills was a part of New Year celebrations. They’ve got two varieties here: One 60 centimeters long and the other 94 centimeters long. They’re wrapped in washi (Japanese paper), have bells on the end, and are affixed with kabura, a device that makes a whistling sound when the arrow is fired. It was once a popular item among the archers participating in contests or banditry. The shrine makes 245,000 of them, which takes most of the year.

They’re also readying amulets for sale at the Hakusan shrine in Niigata City. Shrine officials think the facility was built in either the 10th or the 11th century, but they’re not sure because two fires in the 16th century destroyed some of their records. In this case, the amulets are rakes and arrows, and people got a head start on buying them on the 26th. The shrine prepared 40,000 for their 170,000 visitors to come.

The word for the traditional bamboo rake is kumade, literally a bear’s paw, and they were used to rake leaves and grain. They started selling them as New Year’s trinkets during the Edo period so folks could play croupier and rake in the good fortune.

New Year’s amulets are also produced outside the shrines. One example is the dragon dolls, for the year of the dragon, made at a studio at the Toyama Municipal Folk Craft Village in Toyama City.

Another is the earthen bells in the form of dragons made by the Nogomi Ningyo Kobo in Kashima, Saga. A nogomi ningyo is a local toy conceived by the late studio’s founder soon after the war. He passed the business on to his son Suzuta Shigeto, a national living treasure for his fabric dyeing artistry, so we’re talking serious art here.

The studio is offering three types this year, one a design by the founder, another a jade (colored) dragon, and another designed by Shigeto to represent a dragon riding the clouds. He said he wanted to create the image of vigorously climbing and riding beyond the troubles of the past year. All of them are handmade, and the report said that the slight variations in sound and color would beguile potential customers. They’ll make only about 7,000 to sell throughout the country for the holiday, and all things considered, they’re probably more expensive than the items on sale at a shrine.

Shinto isn’t the only source for New Year’s ceremonies. A traditional ritual for presenting water from the fountain of youth to the governing body of the old Ryukyu Kingdom, now Okinawa, is still held today, and this year was held on the 25th in Naha. Forty people dressed as government officials and female priests lined up for some water carrying. The elixir in question is a mixture of two varieties of water that’s been concocted at the Enkaku-ji Buddhist temple. The original idea was to meet the New Year with a wish for the kingdom’s peace and the king’s health and long life.

Which to choose? The Ryukyu waters, sacred sake, or o-toso?

Finally, it isn’t possible to discuss New Year’s in Japan without a mention of the Kohaku Utagassen. That’s a New Year’s Eve musical variety show based on the premise of a singing battle (utagassen) between the female Ko team — Red! — and the male Haku team — White! It debuted on radio in 1951 as a one-hour special, but has now evolved into a four-hour extravaganza broadcast simultaneously on TV and radio. At one time it was the highest-rated single show on Japanese television, but changing times and tastes have taken it down a few notches. Nevertheless, it is still the highest-rated musical program every year.

An appearance on the program is a sign that the performer has made it in Japanese show business, and because NHK requires (or used to require) that all singers pass a singing test to appear on the network, it meant that viewers would be getting quality entertainment. It features all styles of music, including enka for the old folks (Sakamoto Fuyumi was on last night for the 23rd time) and straight pop for the kids. Selected members of the AKB 48 girls also appeared for the third time as a group last night, early in the evening, and I was surprised at how good they sounded.

In keeping with Japanese ecumenicalism, foreigners, especially East Asians, are frequently invited to appear; the South Korean pop idol BoA has been on six times. Largely unbeknownst to their fans in the West, Cindy Lauper and Paul Simon once performed in the same year.

Last night, the Red team won the contest for the first time since 2004. The White team has the series edge to date, 33 to 29.

Whose performance to pick from the wealth of options on YouTube? I’ll go with the special one-off appearance of the Drifters in 2001. Those aren’t the American Drifters, but the Japanese group. They started out as a band in the late 50s and evolved into a comedy team whose television program ran from 1969 to 1985 and became the highest-rated regular program. (They also made a couple of movies, at least one of which was quite entertaining.) Older folks might remember their 40-second performance as the opening act for the first Beatles concert in Japan.

The man in the green is Ikariya Chosuke, the nominal leader, who died in 2004. Later in his career he starred as an attorney in a courtroom drama series similar to Perry Mason, but with lighter moments. He also won a Japanese Academy Award for Best Supporting Actor in the film Bayside Shakedown. He was the host/narrator of the Drifters’ TV show, and often wound up as the guy getting dumped on by the others.

The man in the orange is Shimura Ken, who started working with the group in 1968 and became an official member after replacing one of the originals in 1974. Most of The Drifters weren’t really comedians, but rather performers acting in comic sketches. Shimura is an exception, however, as he is a talented comic, and at his best was as funny as any comedian anywhere. (You other foreigners can cool it with the wise lips right now.) He took over The Drifters program with a show of his own that was often hilarious and sometimes bordered on the surreal. He and the staff of that program were masters of running gags, both within a single program, and also from show to show.

Translating the lyrics wouldn’t be productive — did you catch the brief background chorus of papaya, papaya? — but it’s more fun to watch the dance troupe anyway.

Shimura Ken might say, Dafun Da!, but I’ll stick with: Akemashite, o-medeto gozaimasu. Happy New Year!

UPDATE:

Very late on New Year’s Eve (one report said early New Year’s morning), one of the three most-wanted criminals in Japan gave himself up to police:

Makoto Hirata, a member of the Aum Shinrikyo cult that released deadly sarin gas on Tokyo subways in 1995, surrendered to police last night, Japanese public broadcaster NHK reported.

Hirata, 46, and fellow Aum members Katsuya Takahashi and Naoko Kikuchi are listed as Japan’s three most-wanted fugitives, on a police website. Hirata was wanted in connection with the murder of a notary, while the other two are alleged to have been involved in the poison gas attacks.

Hirata turned himself in at the Marunouchi police station in central Tokyo, NHK said, citing the Metropolitan Police Department. He is being questioned at the Osaki police station, according to the broadcaster.

Another New Year’s cleansing of impurities, is it not?

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Nippon Noel 2011

Posted by ampontan on Sunday, December 25, 2011

CHRISTMAS customs in East Asia may lack the self-perpetuating momentum of the holiday in Christian countries in the West with a longer tradition, but the season and its symbols can still generate intense emotion in this part of the world. An example is the the steel towers decorated as Christmas trees that an evangelical group erects every year two miles from the North Korean border on the 100-foot-high Aegibong Hill. They were to have been illuminated on Friday, which would have made them visible to soldiers on the northern side of the border and residents of the North Korean city of Kaesong.

The decorations have caused periodic friction between the two countries — Bah, humbug might well be the North Korean national motto — and so were stopped in 2004. The group resumed the practice in 2010, but this year the Scrooges in Pyeongyang said they’d shoot out the lights and it would be the southerners’ fault if they did. Since no one has any idea of the leadership’s current state of mind up north, or even who constitutes the leadership, the South Koreans decided discretion was the better part of holiday virtue and will refrain from flipping the switch on the towers this week.

Fortunately, there’s a lot more peace on the Japanese part of the earth, and they can and do light all the Christmas trees they want anywhere they feel like it. The Japanese view Christmas as an excellent opportunity to stage a festival of light. Indeed, with all the imagination incorporated into the designs, their variations on the theme of tannenbaum might be considered a minor form of public art. Here are some of the best in 2011.

Tokyo

They’ve been partying since 13 November at the Aqua Christmas 2011 festivities in Odaiba. The sponsors have exhibited a seven-meter-high Marina Fantasy Tree that represents a Christmas tree rising out of the sea, which is a satisfying image for an island country. An added touch is that the colors change in coordination with the music.

They’re just as abstract over at the Shinjuku Southern Terrace shopping facility. Inside the tower are two switches that change the lights from red to green to blue to a Christmasy pink to yellow to rainbow, accompanied by stately bell sounds. They’re calling it the Kizuna Tree, with kizuna being the human ties that bond, and they suggest it’s an excellent way for couples to strengthen their own ties. Christmas Eve is the big date night of the year in Japan, and if a young couple were to stop by to strengthen their ties at the Kizuna Tree and wound up buying something before they left, then so much the better.

The cutbacks in power consumption necessitated by the Tohoku disaster forced people to use their imaginations and discover new ways to find the juice for the lights. The most frequently adopted solution is LEDs, but many places also use wind power, and some even went with vegetable oil.

Wind power was the choice to light up a 400-meter stretch of zelkova trees in toney Roppongi Hills. It’s the first time they’ve trimmed the trees for Christmas in this neighborhood, so they decided to get creative with pink and beige lights designed to look like a waterfall. Those lights don’t look pink or beige, and they don’t resemble a waterfall either, but that’s what the copy said.

Awareness of the Tohoku disaster is still fresh in everyone’s minds, and that’s why the trees displayed in the central concourse at the JR Ueno Station were decorated with ornaments made in the areas hardest hit in March. They were put together by women in Kuji and Rikuzentakata in Iwate, and Ishinomaki in Miyagi who were suddenly unemployed in the aftermath of the earthquake/tsunami. The operation was put together by a group in Saitama called Team Tomodachi to help those in the stricken areas. They asked the women to make the ornaments, which they then sold to remunerate them for their work. The material used was the leftovers from the process for manufacturing organic cotton products.

The trees themselves were put up by Atre Ueno, a local shop, with the help of the Tokyo and Sendai branches of the East Japan Railway Co. and Ueno Station.

Seven women from Ishinomaki came to Ueno in November to hang the ornaments with Atre Ueno employees. One of the women explained that she thought she wouldn’t be able to do it when someone approached her with the idea — she had spent her whole life processing wakame seaweed by hand, and crafts were not her hobby. The longer the group worked together, however, the more fun they had. She said that, on reflection, she lost a lot this year, but also wound up gaining something as well.

Kyoto

A look at some of the posts under the Christmas tag for a peek at Christmases past will show that PET bottles are a favorite choice as a tree material substitute. All the trees along this pedestrian walkway near the municipal offices in Nantan, Kyoto, were made with the preformed polyethylene terephthlate. The members of a local club found about 3,500 empties, which surely left them with sticky fingers. They weren’t too sticky, however, to prevent them from putting together 30 1.8-meter trees of six levels with 30 bottles, and two 2.4-meter trees of eight levels with 500 bottles, and then lining them up along the 200-meter pathway. If you’re in the neighborhood and want to see for yourself, they’ll be lit until 8:00 p.m. tonight.

Ibaraki

An executive committee consisting mostly of JCs got profligate with the LEDs a little further to the north in Tsukuba, Ibaraki, and used 200,000 to decorate a 200-meter-long row of zelkova trees at the city’s Tsuba Center square near the train station for the seventh year.

This year, they wanted the display to reflect the wishes for national recovery, so the lights spell out Gambaro Nippon, or Let’s Fight, Japan.

There’s another tree-based illuminated decoration at the Chuo Koen (Central Park) in the city. If you can’t make it there for Christmas, don’t worry — they’ll be up until 9 January, and that makes a few more than the standard 12 days of Christmas.

Nagoya

Santa will visit and a tree will be lit at the Noritake Garden, a ten-year-old park in Nagoya. Mr. Claus will again climb the chimney on the ceramics plant to plant a 12-meter-high tree there. The reduced supply of electricity this year caused by fallout from the Fukushima disaster will be offset by a solar power generator installed at the facility in October, capable of producing an average of 120 kW a day.

Osaka

Everybody likes Christmas surprises, so the Shinwa Construction Co. in Osaka has had a suprise for a different neighborhood every year for the past eight years. They use the front lot of whatever condominium that they happen to be in the process of building and put up a 12-meter-high Christmas tree with 30,000 LEDs with no warning on 1 December. Naturally, this keeps the Osakans wondering where the tree will turn up every year, and making a special trip to see when they find out. This year the tree was put up in Yodogawa Ward, but this photo shows one from about five years ago.

The company also staged a “Christmas Event” on the 22nd and 23rd with an artificial snow machine and stalls selling such Yuletide delicacies as oden and yakitori roasted o’er an open fire.

Kanagawa

Not all that gllitters is an LED. The 10-meter-high tree put up by the Ukai Venetian Glass Museum in Hakone consists of 70,000 pieces of crystal glass, which flash in seven different colors in the sunlight. Though it’s illuminated externally at night, as you can see in the video, the tree itself has no internally lit ornaments. The facility also added 60 candles and 180 lanterns to the park exhibit on 1 December.

Hokkaido

The northern island of Hokkaido is cold enough to pass for the North Pole — they start wearing jackets at night at the end of August — so Christmas comes naturally to the natives. The city of Hakodate is also known for the big trees at its Hakodate Christmas Fantasy. It’s so well known, in fact, that the city of Hirosaki in the neighboring prefecture of Aomori put up their own 20-meter tree at the site. Hirosaki Mayor Kasai Noriyuki explained the display was to promote ties between the two cities.

And hey, what’s Christmas without a fireworks display?

Kagoshima

The Kagoshimanians also got into the Christmas spirit by making three trees out of PET bottles, which they displayed at a big shopping mall in the center of the city. It’s the third year Yamagata-ya has put up PET bottle trees to enhance awareness of ecological activities and recycling. The main six-meter-high tree used about 2,800 bottles brought by customers and 6,500 LEDs provided by the store, and if you look behind the adult Santa in the photo, you can see one of the three smaller subsidiary trees. They got the store customers to help put them together and hang the decorations, which is a bit like Tom Sawyer getting his friends to paint the fence, though this was more fun and a lot less messy.

Fukushima

A cosmetics manufacturing and sales company way down south in Fukuoka City decided to help make spirits bright up north after a very gloomy year in Fukushima, whose name will now be forever associated with a nuclear disaster. That’s why they put up this big tree next to the JR Fukushima Station in the city. Trimming any tree with more than 40,000 LEDs is bound to brighten the neighborhood and spirits both. Said local resident Matsumoto Ryoko, aged 75:

Just looking at it cheers me up. After this difficult year with the disaster, these are lights of hope.

They’ll be lit in their city until 11:00 p.m. tonight, and hopefully in their hearts for many more nights to come.

*****
The year I came to Japan there was a musical tsunami in the form of Yamashita Tatsuro’s soundtrack to the movie The Big Wave. It hit #2 on the charts, making it one of the most successful soundtrack records in Japan. It was especially popular among people in their 20s and 30s, both because it was so well done, and because Yamashita himself was a favorite among people of that age at the time.

One half of the LP consisted of Yamashita’s tunes, and the other half of Beach Boy remakes that are more listenable than the originals, but then my taste lies in directions other than that of the Wilson brothers. He didn’t need any brothers for the harmonies because he overdubbed all the vocal parts himself.

Yamashita is (or should be) in the top rank of international pop music auteurs. Asked about his musical inspiration, he said he grew up listening to FEN (Far East Network), the radio station for American servicemen in this part of the world, which anyone with a transistor radio in Tokyo can hear. The production values of his music also recall uptown soul music, so if you can imagine a Japanese singer creating original material that mixes Beach Boy and soul music influences, then you’re close to the Yamashita sound.

Even better known than the original Big Wave LP is his Christas song, called Christmas Eve, which was released as a single the year before. It reached only #44 on the 1983 charts (the LP from which it came was #1), but it had miraculous staying power: it’s the only Japanese pop song to reach the Top 100 for 20 straight years. The single eventually sold 1.8 million copies, boosted by its use as the theme song for JR East’s seasonal commercials starting in 1986. The residuals alone must surely mean that all of his Christmases will be bright.

What better cyber-present could there be than an embedded video of the song with scenes from the commercials throughout the years? Here’s hoping that your real presents are as sweet as the girl waiting behind the train station pillar in 1989. メリークリスマス!

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Eco-torii

Posted by ampontan on Monday, May 2, 2011

COMING to Japan from the United States, it sometimes seems as if the people of the former have a more relaxed approach to their many traditions than do the people of the latter about their fewer traditions. That’s to the extent that people in either country take an active interest in tradition at all.

Here’s another example I discovered recently. Nakashima Biniiru Kako in Hitachi, Ibaraki, manufactures torii for Shinto shrines using polyvinyl chloride pipe. That’s a good idea when you think about it—the material is cheap, durable, light, easy to replace, impervious to water or ultraviolet rays, and if it’s red, most people won’t notice the difference anyway.

Company President Nakashima Masayoshi came up with the idea to use PVC pipe as a replacement for the usual stone, steel, or wood about 17 years ago. (There are also a few made of porcelain, including one at a shrine in the ceramics center of Arita.) Mr. Nakashima says he receives orders for about 20 in a good month, so there might be more of them around than anyone realizes. In fact, he does well enough to have a website for them, which you can see here. (Japanese only, of course) His company has another clever product, by the way: folding, portable storage containers for garbage. Keeping the magpies away until the garbage trucks show up can be a problem.

No one has come up with a satisfactory theory on the origin of torii, which mark the entrances to the shrine’s sacred space, and have become the symbol of shrines themselves. A few of the oldest ones have doors, including those at secondary shrines at Ise, so they probably were real gates at one time. Now the gates are all doorless, which means anyone can come and go as they please. “Straight is the gate and narrow is the path” isn’t an idea that would have originated in Shinto, but then the Japanese have a relaxed approach to religion, too. Try this torii and shrine combo in Okayama City for another example.

None of this should be surprising. After all, no one is able to agree whether Shinto is a “religion” to begin with.

*****
Here’s something that is a bit of a surprise, however: Eighteen-year-old Terakubo Erena holding her own with some very heavy hitters.

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Nippon noel 2010

Posted by ampontan on Sunday, December 26, 2010

CHRISTIANS ACCOUNT for just one percent of Japan’s population, but no one can spot the potential for a good festival better than the Japanese. That’s why they’ve adopted Christmas, with all its secular symbols, as a winter festival of light–most fitting for the time of the year in the northern hemisphere with the least amount of daylight.

One of the most attractive aspects of the season is the Japanese use of the Christmas tree as an art form. Here are some of this year’s examples.

Local volunteers in Nanyo, Yamagata, began decorating a 25-meter fir tree at a local primary school in 2003, and they’ve continued every year since. They’ve also been adding to the amount of bulbs they use to trim the tree, and this year they hung 20,000 in four colors. This is actually called an “illumination event” because the tree will be lit every night from 5:00 to 9:00 p.m. until mid-January, but that didn’t stop the piano, flute, and violin trio from playing Christmas hymns as well as selections from the classics at the lighting ceremony.

What’s better than having a Christmas tree? Two trees! These two fir trees down south in Yamaguchi City, 26 and 20 meters high respectively, are estimated to be 450 years old. They’re festooned with 35,000 lights hung by 50 volunteers. If you’re in the neighborhood, you’ll be able to see them until 10 January.

This tree in a park in Anan, Tokushima, is only 15 meters high, but it’s decorated with 500,000 light-emitting diodes. A lighted Christmas tree is not just a seasonal decoration here—it’s part of the Anan Luminous Town Project that’s been held two or three times a year since 2003. This December was the 17th time the project was presented. Anan is a luminous town because it’s the headquarters of the Nichia Corp., the nation’s largest LED manufacturer.

The Tokushimanians devised a new way to build their tree this year. Previous trees were raised on site using ropes or a crane, but this year’s model was built with a bamboo frame. Nothing says Christmas in Asia like bamboo. A total of 120 lengths of 4-6 meter-long bamboo were used. They liked the idea so much they also built a 10-meter-high bamboo pyramid and bamboo wreaths.

In addition to being one of the Christmas colors, green is also the color of the ecological movement, and one way the Japanese put the green into Christmas is to make trees out of used PET bottles. Here’s a 7.25-meter PET bottle tree at the L’Espace City shopping complex in To’on, Ehime. How interesting that the “green” tree is blue, but that won’t surprise anyone who understands the language. The tree wasn’t erected solely to raise ecological awareness—it also is to celebrate the 10th anniversary of L’Espace City. That’s why the 16,000 LEDs will be lit from 5:00 to 10:00 p.m. until end of January. It was assembled by a non-profit and some private companies in the city, which started collecting bottles at schools and shops in the fall. They found more than 10,000 in three months.

This PET bottle eco-tree adorned a Fukui City parking lot. Fukuan adults and kids have been trimming PET bottle trees in public for the past four years, and they used 700 PET bottles and electric lights for this year’s five-meter creation. To add to the holiday atmosphere, two Santa Clauses passed out candy, and they drew a picture of Snow White on the side of an adjacent building. The kids also built a haunted house. Why? Because it’s Christmas!

Fukui City adults and children also worked together to build this cardboard Christmas tree designed to lie on the floor of the gym at the Higashiago Primary School. The Christmas celebration for the grade schoolers included several events, including reading aloud from storybooks and group singing. This tree was created by 150 people working in groups of six or seven. It was 15 meters high and nine meters wide, and decorated with ornaments made from wrapping paper and milk cartons brought from home. They also set up and lit 200 candles in the form of a tree, and then went up to the second floor to enjoy the results of their handiwork from on high.

What else can be used for Christmas tree material besides PET bottles, bamboo, and cardboard? Glass! The employees of Aqua World, the Ibaraki Prefectural Oarai Aquarium, created this glass tree from 108 individual pieces with tropical fish inside. They wanted small colorful fish for the decorations, so they chose the betta Siamese fighting fish. That breed is well known for aggressively defending its territory and fighting until the finish. Territorial disputes aren’t really in the spirit of the season, so the feisty fish have been isolated from each other within the tree. A lonely Christmas for them is the best solution for everyone.

Speaking of fish, the Kagoshima City Aquarium had kindergarten students from 42 schools in the city work since early November to create fish ornaments for their Christmas trees. Yes, trees—they had 34 in all spread throughout the facility. Now how’s that for a scheme. They got the kids to do all the work of making Christmas decorations and called it an art project!

The Japanese are known for their appreciation of ephemeral beauty, and here’s an excellent Yuletide example. The ANA Hotel Clement Takamatsu in Takamatsu, Kagawa, arranges the lights in 46 guest rooms on the northeast side of the building on floors 5-19 in the shape of a tree. They ask the guests in the other rooms on that side of the building to shut the curtains, and the result is a tree pattern that is 48 meters high and 43 meters wide.

The hotel does this only on Christmas Eve, and for only one hour, starting from 6:00 p.m. The more you think about it, the more Zen it gets!

Drivers in Mino, Osaka, can’t miss this tree, nor have they for the past 15 years. This creation of the Mino Chamber of Commerce is almost impossible to miss—it’s 50 meters high and towers over the Green Road Tunnel.

Christmas is not always filled with peace and light, as louts are on the prowl every day of the year. To remind everyone of the need to be alert even on 25 December, the police department of Muroran, Hokkaido, made a tree of 30 PET bottles decorated with handmade Christmas cards from each of the separate bureaus. Instead of the generic “Peace on earth, goodwill toward men”, the cards contained crime-busting messages, such as “Don’t forget to lock the windows and doors when you go out.” Said the Muroran police chief, “A safe and sound yearend is the best Christmas present after all.” The kids might not agree, but their parents probably will.

Incorporating the Christmas theme with all sorts of national symbols is a seasonal tradition everywhere, and Japan is no exception. That might be one of the reasons the Fuji Q Highland amusement park in Yamanashi built a 60-meter-high, illuminated steel frame representation of Mt. Fuji in their parking lot for the season. It’s decorated with 100,000 LEDs. The park says that other than free-standing electric towers, it is the highest illuminated object in Japan.

Snow is a key part of Christmas music and imagery, even in places where it doesn’t snow. So in keeping with the seasonal theme, here’s a photo of the first snowfall on Mt. Fuji in Yamanashi in November. Luckily it includes some Christmas reds for contrast. Snow has dusted the summit since 25 September, but this was the first time the whole mountain was covered. It was – 1º on the ground when the picture was taken but -12.1º on top of Old Snowy. Makes me glad to be in Kyushu!

Yes, this Ampontan Christmas card is a day late, but accept it in the spirit of Suzuki Saeko—don’t you wish it could be Christmas every day?

If you’re still in the seasonal mood, click on the Christmas tag for some truly inspired trees from previous posts.

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