Matsuri da! (107): The mikoshi marathon

A KEY ELEMENT of most Shinto festivals are the portable shrines known as mikoshi. Rites in other religions usually require the performance of strictly defined acts from which there is little or no deviation. One distinguishing feature of Shinto matsuri, however, is that there is very little from which to deviate to begin with. It’s hard to get stuffy about tradition when the founding principle seems to have been “Hey, that’s a great idea! Let’s try it and see what happens!”

The standard operating procedure during a festival is for the carriers to vigorously raise and lower the mikoshi while calling out shouts of self-encouragement during the procession. Meanwhile, the onlookers provide encouragement of their own from alongside the parade route, often drenching the carriers with buckets of water to cool them off—summer or winter, it makes no difference. When you’re hot and sweaty from all that work, you need to get cool!

But there are also festivals in which the mikoshi are hauled up the side of a steep mountain, run down the side of a mountain on narrow stone stairs at top speed in the middle of the night, carried under a waterfall, jumped over a blazing fire, used as a weapon in a street fight with another mikoshi-carrying group, or just smashed to pieces as a sign of devotion.

Though there are plenty of stories of how the mikoshi are used, few of those stories specifically mention how long those processions last. One exception is the story I came across for a festival last month at the Yudanosan Shinto shrine in Yamagata.

The event starts with the hakkosai ceremony, in which part of the spirit is taken from the tutelary deity at the shrine and placed in the mikoshi. Then about 150 young parishioners from a group known as the Miyuki-kai (神幸会) carry it around a six-kilometer course in Yamagata City chanting “Soiya sah!” The group does more than just go through the motions and then go home. It takes them seven hours to conduct this part of the festival. That must be one of the reasons for having 150 members in the Miyuki-kai–they have to take turns doing the heavy lifting.

That object at the top in gold leaf, by the way, is the ho’o, a type of phoenix whose myths originated in China. A mythical Chinese creature on top of a palanquin for a Shinto divinity–now how’s that for another example of Japanese syncretism? The ho’o seems to have been created from spare parts–the front was shaped like a giraffe, the rear like a deer, the head like a snake, the tail like a fish, and the back like a turtle. It’s enough to make you wonder how much hemp was cultivated in China in the old days.

The Yudonosan shrine has a history even more interesting than the festival it conducts. It’s located 1,500 meters (about 4,920 feet) above sea level, and the hike required to get there is not for the faint or weak of heart. The photo here shows the large red torii, but the shrine itself is far enough down the path and up the side of the mountain that a special bus leaving from the building at left takes visitors the rest of the way for 200 yen. It’s not possible to post a photo of the shrine itself, because photography at the site is forbidden.

Once visitors arrive, they have to remove their shoes to enter, and that, like the photo prohibition, is not a common practice at most institutions. Then again, the shrine is located in an uncommon area. The Yudonosan mountain is one of three in a group of mountains and valleys that were a site for Buddhist ascetic practices for more than a millennium. Some of the heavy hitters of Japanese Buddhism came here for meditation and enlightenment, including Kukai, the founder of the Shingon sect, and Saicho, the founder of the Tendai sect.

Their practices were uncommonly rigorous, and included vegetarian meals, daily ablutions, and Yudono no Hozen worship three times a day for 30, 50, or 1,000 consecutive days to remove their impurities. Another objective for some was to achieve Buddhahood while still in the material body, a practice called sokushinjobutsu, and at Yudonosan the preferred method was to meditate until one became “mummified”, as the explanation has it. Some of the remains of these people still exist in northern Niigata.

While in those days the site primarily attracted Buddhists, the institution itself was one of many that shared space with a Shinto shrine. When they were split up during the Meiji era reforms, the Buddhist temples relocated elsewhere. Why did they move and the shrine stay? I don’t know, but it might have been because the shrine’s shintai, the object of worship in which the divinity’s spirit dwells, was a large rock from which a natural hot spring emerges.

It has to be easier to build another temple than it is to change the course of a hot spring in the mountains!